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KING DAVID

Review by Gordon Justesen
Stars:
Richard Gere, Edward Woodward, Alice Krige
Director: Bruce Beresford
Audio: Dolby Surround, French Dolby Surround
Video: Anamorphic Widescreen 2.35:1
Studio: Paramount
Features: None
Length: 113 Minutes
Release Date: November 18, 2003
Film
**
A lot has been made
about director Mel Gibson's upcoming film entitled The Passion of Christ. The film, which is set to come out next year,
is an account of the final hours of the life of Jesus Christ leading up to his
crucifixion. Needless to say the film, like all films having to do with a shred
of anything that is biblical related, has come under fire from several religious
groups. To be totally honest, I have faith in Mr. Gibson as a director and feel
that he can do the material justice, which is something the makers of King
David forgot to do with its biblical tale.
You will note that
Biblical epics were hugely popular during the late 50s and early 60s. Films such
as King of Kings, The Ten Commandments, and
The Greatest Story Ever Told were
living proof that Hollywood could do the Bible justice. And it goes without
saying, King David doesn't belong
anywhere near those films.
I am in no way a
religious fanatic. In fact, I don't even object to Hollywood poking fun at
religion (see my review for Dogma),
but I do feel that if one is attempting to adapt a legendary tale for the big
screen, it should be done with a level of authenticity and respect for the story
told. It's hard to think that such a talented director like Bruce Beresford (Tender
Mercies, Evelyn) could manage to
make a near-wrecking of such a story.
Then there's the
case of Richard Gere in the lead role. I've always found Gere to be a very good
actor with some decent range. His masterful work in movies such as The
Cotton Club, Primal
Fear, Unfaithful and even The Jackal,
which I thought was unfairly panned by the critics, show that Gere is almost
always on top of the game. However, King
David represents a low point for the actor. Throughout the movie, all that I
gathered from Gere's performance as David was that of sleepwalking. I came to
the conclusion that the actor, an outspoken Buddhist, may have just been in it
for the pay and not for the performing.
And yet, you may be
asking yourself why I am sounding this harsh on a film I am only giving two
stars to. That's only because I haven't revealed the one positive thing about
this film's production, which is the quite stunning cinematography by Donald
McAlpine. The veteran cinematographer, whose credits include Predator,
Moulin Rouge! and The Edge to name
a few, illuminates the screen with lush images and visions of set pieces that
make for the only convincing aspect in the film, in terms of making something
real out of a legendary tale.
It's just too bad
that King David as an entire film
couldn't achieve the same level of quality that Mr. McAlpine was able to present
with his grand cinematography. My guess is that the makers felt confident in
that they had a decent enough budget and a notable and somewhat bankable star in
Gere to hope that audiences would buy into this somewhat unaffectionate
misinterpretation.
King
David should be valued as a good attempt at retelling a biblical tale, but by
no means should it be mentioned at the same level of much better biblical motion
pictures.
Video
**1/2
Paramount's
anamorphic presentation is decent enough given the fact that the movie happens
to come from the mid 80s, but at the same time, I've seen better from the
studio. For the most part, McAlpine's cinematography is captured nicely and
looks good. However, there seems to be a few instances of shoddy images and
softness here and there, which keep this from being up there with the usual top
quality releases from the studio. Indeed, a mixed reaction.
Audio
**
Since there's only
a 2.0 track offered for this release, it makes me question whether this release
was deemed necessary for one by the studio, not that I blame them. For all the
numerous battle sequences (many of which don't last but a mere minute or two)
all of the action seems to be limited to the front area. Dialogue is very clear
for the most part.
Features
(Zero Stars)
Nothing.
Summary: