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THE CONSTANT GARDENER

Review by Gordon Justesen
Stars:
Ralph Fiennes, Rachel Weisz, Danny Huston, Bill Nighy, Pete Postlethwaite
Director: Fernando Meirelles
Audio: Dolby Digital 5.1, French Dolby Digital 5.1
Video: Anamorphic Widescreen 1.85:1
Studio: Focus Features
Features: See Review
Length: 129 Minutes
Release Date: January 10, 2006
“Big
pharmaceuticals are right up there with the arms dealers!”
Film
****
It’s great to
know that international thrillers are making a return to cinema. 2005 saw some
good entries in the genre, most notably The
Constant Gardener. Watching such a remarkably crafted film like this made me
realize how much I missed thrillers like this. In addition, it is a most
original love story, and in a brilliant rare form, the love story and the
thriller plot are indeed connected.
The film is based
on the best selling novel by John Le Carre, an author who specializes in
international intrigue. This story is, for my money, the most convoluted one to
ever come Le Carre. There is a lot of plot material here and, just as the case
with the equally brilliant Syriana,
you will be lost if you turn away for a single second.
Added to the mix is
the amazing vision of director Fernando Meirelles, whose City of God remains one of the most unforgettable films ever made.
Meirelles uses his distinct visual eye to capture each of the different settings
this story takes the viewer. The film is more than a thriller, but a journey for
us and the central character.
The story is told
in a semi-non chronological form, but without spoiling the details of the
intriguing narrative, I will explain the plot from the beginning. The reluctant
hero of the story is Justin Quayle (Ralph Fiennes), a British diplomat whose
life is altered the day he meets Tessa (Rachel Weisz). She is protesting British
foreign policy during a speech Justin is delivering. She apologizes for her
outburst, the two get acquainted and sleep together not too long afterward.
The two have soon
fallen very much in love with each other. A lot of Justin’s work for the
British High Commission has him traveling to Africa. As he prepares for an
assignment in Kenya, Tessa pleads with him to take her with him, though it’s
very much against regulations. He agrees to, thinking she wants to go along
simply to be closer to him.
After spending some
time in Kenya, Justin begins to notice Tessa’s slowly escalating outrage
towards the medical treatment of the townsfolk. During a reception for a
pharmaceutical company, she confronts top level executives with questions nobody
seems to want to answer. Her questions relate to the people of Africa and why
they are not receiving the proper treatment.
Several days later,
Justin receives word that Tessa, while on an expedition with a doctor friend of
hers, has been killed. His friend and business colleague, Sandy Woodrow (Danny
Huston), delivers the news to him. The two then proceed to the morgue, where
Justin identifies the corpse of the woman he loved.
With the love of
his life taken away from him, Justin starts a personal mission to discover why
someone wanted her killed. As we learn in flashbacks, Tessa was indeed wanting
to get top-secret information regarding an experimental drug named Dypraxa,
which is supposed to cure tuberculosis. However, it turns out that many Africans
who have been test subjects for the drug, have died and buried in unmarked
graves all over Kenya.
Justin’s mission
isn’t so much one of political value, but one of a much more personal one. He
has to finish what Tessa started, illustrating how much love he had for her.
Before long, he’s questioning everyone, from pharmaceutical executives, the
highest ranking member of the British High Commission, who may be very much
connected to the conspiracy, and before long, finds himself in the African
village town of Loki, the sight of Tessa’s murder, where all the questions
will finally be answered.
The globetrotting
aspect of The Constant Gardener is as
authentic as any movie can deliver. We are with Justin at every place he goes to
get answers. And with these locations, Meirelles and his cinematographer create
different appearances for the locations, much like what was done in Traffic.
The streets of London are shot in steel blues, while all the African location
shots explode in hot yellows. Rarely has a single film conveyed a feeling
through the very appearance of certain settings to this effect.
And for the two
leads, this marks a career highlight. Ralph Fiennes has always been one of our
more passionately gifted actors, and his performance here is more than rightly
suited for him. And the beautiful Rachel Weisz proves that she’s also a very
strong actress with her most outstanding performance yet as woman with many
mysterious qualities about her. And right from the get go, you completely accept
the two as a couple in love, even if Tessa is keeping certain things hidden in
the dark.
Like Lord
of War and Syriana, The Constant Gardener
is a remarkably executed thriller exploding in suspense and realism. Director
Meirelles has delivered yet another fantastic piece of compelling cinematic
storytelling. With his two for two record, I very much anticipate the next film
to come from him. This is without question one of 2005’s finest films.
Video
****
Focus’
anamorphic presentation of this visually striking film (Full Screen available
separately) is so well handled that it does nothing short of immersing you, the
viewer, in the atmosphere. The amount of image detail is endless and incredible,
as each location setting assaults the senses wonderfully in its look and color.
In short, it does absolute justice to a film that deserves it in this
department.
Audio
***1/2
The 5.1 mix takes
notice of the smallest sound detail. For the most part, this is a purely
dialogue-driven film, but there are several instances where the surround sound
quality takes hold a many sequences based on certain aspects of the setting. The
music by Alberto Iglesias is very much a highpoint, and will stick in your head
long after you watch, and I mean that in a good way. A solid sound presentation,
indeed!
Features
***
A good area of
extras, even in the absence of a commentary track. Included are Deleted and
Extended Scenes, as well as three very well made documentaries; “Embracing
Africa: Filming In Kenya”, “John Le Carré: From Page To The Screen” and
“Anatomy Of A Global Thriller: Behind The Scenes of The Constant Gardener”.
Summary: